Showing posts with label electronica. Show all posts
Showing posts with label electronica. Show all posts

Wednesday, September 03, 2014

Bugfix

A piece I've been working on for a while and then ran out of gas... maybe it's finished, who knows?

Monday, January 05, 2009

Happy focused new year

A Xmas break of the non self-indulgent kind strangely saw your correspondent actually getting down to some proper work. CREATIVE work, that is. The results, questionable though they may be, are located HERE.

Many, many thanks to Peter for his encouragement...
I'm available for festivals and soundtracks ;-)
And if you visit my profile on Last.fm, please vote for one of my pix will ya? I'm kinda depressed that my name is associated with a defunct tech metal band from Texas.

Wednesday, August 09, 2006

Wirey

As previously mentioned - I'm currently battling with the laptop and a bunch o' wires to produce something approximating music to share with Mexico. EBP's generous loan of a Korg Prophecy (messing with my purist use of only things wiv strings) has opened up a whole new universe which I'm currently trying to expand to fill.
Basically I'm finding the whole experience (linked with the recent purchase of a loop station) has set my synapses alight (ie: I'm getting no sleep as I sit in my little nest of cables and flashing neon) as I go back and erase and overdub and erase and overdub until I end up with soundbeds that I feel would make interesting starting points for more polished 'compositions' (and I use the term very loosely).
What amazes me is that I end up making diagrams such as the one affixed to this post and that the simple act of pushing buttons twiddling knobs and pressing black and white keys in such a RANDOM fashion always seems to end up conveying remarkably precisely where my head is AT (to use the muso parlance hehe).
I LOVE the element of chance in making music. It's like lifeblood to my thought processes, and yet a circuitous path still sends me to the same destination as a rigorously planned one. How does this happen? What's more, I agonize over the 'credibility' of such a wayward methodology, yet I then hear a track like Peter Namlook and Klaus Schultze's Three pipers At The Gates Of Dawn (from Dark Side Of The Moog) which consists of ONE NOTE and I realise that I'm still TOO FORMAL. Confusing, or what?
Of course, I should now present examples. They will follow shortly. But trust me when I say that my subconscious seems to be stronger than my waking psyche. Way stronger. I'm in a dark space. But it's good...