It Means Nothing To Me

Just back from Vienna where Sonnamble were performing with drummer extraordinaire, Paul May (seen above with Mr Marsh), at the lovely aNOther festival of contemporary experimental and electronic music. Met lots of lovely creative people, but special thanks to Wei-Ya Lin and Johannes Kretz who looked after us so very well. I'm still recovering.
It was hard work, photographing the festival as well as filming and documenting the band's rehearsals and performance. The Estimable Bass Player is currently editing the moving images while Conor Curran sweeps up the audio treats. Photos of the band enjoying themselves are here, while EBP's can be caught here. Enjoy...

New music

The last couple of months have been in equal quantities exciting, creative, maddeningly depressing and just plain sad. But in the midst of this my 'work' continues.
More explanations of methodology/intent and the deeper stories behind a lot of this stuff will follow, but for now, here's a couple of links to what I've been up to.
The first is a link to my latest work posted on Soundcloud - mainly solo work, although Peter Marsh plays on a lot of it.
The second is a link to the latest downloadable podcast on the Forwind website. Forwind is a label run by Conor Curran and Shane Lawlor out of Hackney which specialises in new ways to make music. The podcast is the result of some home-recorded sessions with myself and Peter on guitar and double bass. Mixed by Mr Marsh - it's not bad, even if I do say so myself.
As you can tell, my work's getting more minimal by the day.
This, I believe, is a good thing.
Watch this space...